BELINDA MITCHELL

I’m interested in what things do rather than what they are, and my lastest project draws on New Materialist thinking, feminist writing practices, photographic documentation, drawing and dance scores to create a practice of ‘sitting in’ or an archaeology of the present which responds to the material of the body, materiality of the site and affective relations between the two, as well as the writings of Kathleen Stewart to create a language thick with intimate resonances of everyday details near and far.